Vazha-Pshavela  (July 26, 1861-July 10, 1915) is the pen-name of the Georgian poet and writer Luka P. Razikashvili, a classic of the new Georgian literature.

He was born in a small village Chargali (Pshavi mountainous province in Eastern Georgia) in a family of clergyman. He graduated from the Pedagogical Seminary in Gori 1882, where he became close to Georgian populists (narodniki). Then 1883 entered Law Department of St. Petersburg University (Russia) as a non-credit student, but returned to Georgia in 1884 due to financial restraints. worked as a teacher of Georgian language. He was also a famous representative of a National-Liberation movement of Georgia.

Vazha Pshavela started his literature activities in mid-1880s. In his works, he portrayed everyday life and psychology of his contemporary Pshavs. Vazha Pshavela is the author of many world-class literary works  - 36 epics, about 400 poems ("Aluda Ketelauri", "Bakhtrioni", "Gogotur and Apshina", "Host and Guest", "Snake eater", "Eteri", "Mindia", etc.), plays, and stories, as well as ethnographic, journalistic, and critic articles. He pictured the highlanders' life almost exactly ethnographically and still recreated an entire world of mythological concepts. In his poetry, the poet addressed the heroic past of his people and appealed to the struggle against external and internal enemies (poems A Wounded Snow Leopard (1890), A Letter of a Pshav Soldier to His Mother (1915), etc.). In his best epic compositions, Vazha Pshavela exposed the problems of interaction between an individual and a society, a human and nature, love and duty before the nation. A conflict between an individual and a temi (community) is depicted in epics Aluda Ketelauri (1888, Russian translation 1939) and Guest and Host (1893, Russian translation 1935); its characters choose against some obsolete laws of their community. The poet's preferences are strong-willed people, their dignity, and zeal for freedom. The same themes are touched in the play The Rejected One (1894). Vazha Pshavela idealized the Pshavs' old rituals, their purity, and non-degeneracy with the "false civilization". The wise man Mindia in the epic Snake-Eater (1901, Russian translation 1934) dies because he cannot reconcile his ideals with the needs of his family and society. The epic Bakhtrioni (1892, Russian translation 1943) narrates on participation of the Georgian highlander tribes in the uprising of Kakheti (East Georgia) against the Iranian subjugators in 1659.

As a nature admirer, Vazha Pshavela knows no comparison in Georgian poetry. His landscapes are full of motion and internal conflicts. The language is saturated with all the riches of his native language, and yet this is an impeccably exact literary language. Thanks to excellent translations into Russian (by N. Zabolotsky, V. Derzhavin, B. Pasternak, S. Spassky, and others), Vazha Pshavela's compositions became available to representatives of other nationalities of the ex-USSR. Poems and narrative stories of Vazha-Pshavela have also been translated and published in more than 20 languages.

Vazha Pshavela died in Tiflis on July 10, 1915. Buried ibidem, in the Pantheon of the Mtatsminda Mountain.

 




























 
Prince Alexander Chavchavadze (1786 – November 6, 1846) was a notable Georgian poet, military commander, and prominent public figure. Alexander Chavchavadze descended from the noble family elevated to the princely rank by the Georgian king Constantine II of Kakhetia in 1726. He was born in 1786, in St Petersburg, Russia, where his father, Prince Garsevan Chavchavadze, served as an ambassador of Heraclius II, king of Kartli and Kakheti in eastern Georgia. Tsarina Catherine II of Russia became a godmother at the baptism of infant Alexander, showing her benevolence to the Georgian diplomat. Alexander’s early education was Russian. He first saw his native Georgia at the age of 13, when the family moved back to Tiflis after the Russian annexation of eastern Georgia (1801).Aged 18, Alexander Chavchavadze joined Prince Parnaoz, the member of the dispossessed royal family, in the 1804 rebellion in the mountainous Georgian province of Mtiuleti against Russian rule.

Following the suppression of the uprising, he was briefly put in prison where he composed his first literary works, including the first radical civic poem in Georgian, Woe to This World and Its Tenants. The poem quickly gained popularity, and brought to its young author a remarkable fame, his manuscripts widely circulating, his lyrics of love or protest, in the spirit of the 18th-century Georgian poet Besiki or of the French enlightener Jean-Jacques Rousseau, sung in Tiflis and elsewhere in Georgia.

Following a year’s exile in Tambov, Chavchavadze reconciled with the new regime and entered a hussar regiment. Ironically, he fought in the Russian ranks under Marquis Paulucci when the next anti-Russian rebellion broke out in 1812 in Kakheti. In the same year, he married a Georgian princess Salome Orbeliani of the prominent noble family with family ties with the Bagrationi royal line. During the War of the Sixth Coalition (1813-4) against Napoleon I of France, he served as an aide-de-camp to the Russian commander Barclay de Tolly and was wounded in leg at the Battle of Paris on March 31, 1814. As an officer in the Russian expeditionary forces, he stayed in Paris for two years and the restored Bourbon dynasty awarded his service with a Légion d'honneur.Open to new ideas, in particular to the early French Romanticism, he was impressed by Lamartine and Victor Hugo, as well as Racine and Corneille, who entered Georgian literature through Chavchavadze. In 1817, Prince Chavchavadze became a colonel of the Russian army.

Promoted to Major General in 1826, his military career reached remarkable achievement during the Russian wars against the Persian and Ottoman empires in the late 1820s. He was instrumental in liberating Armenian city of Yerevan from the Persians in 1827 and was appointed, in 1828, a military governor of the Armenian Military District. During the 1828-9 Russo-Turkish war, with a small detachment, he organized a successful defense of the Yerevan province against the marauding Kurds and surged into Anatolia, taking control of the whole pashate of Bajazet from the Turkish forces from August 25 to September 9 1828.[3] In 1829, he was dispatched as an administrator of the military board of Kakheti, where his patrimonial estates were located. Back in Georgia, Alexander enjoyed overwhelming popularity among the Georgian nobility and people. He was highly respected by his fellow Russian and Georgian officers. At the same time, he remained Georgia’s most refined, educated and wealthy 19th-century aristocrat, fluent in several European and Asiatic languages and with extensive friendly ties with the cream of Georgian and Russian society who frequented his famous salon in Tiflis.

The prominent Russian diplomat and playwright Alexander Griboyedov married his 16-years old daughter Nino whom the famous Russian poet had tutored in music during his brief stay in Tiflis. Another daughter, Catherine, married David Dadiani, prince of Mingrelia, and inspired in Nicholas Baratashvili the hopeless love that made him the greatest poet of Georgian Romanticism. At his Italianate summer mansion in Tsinandali, Kakheti, he frequently entertained foreign guests with music, wit, and – most especially – the fine vintages made at his estate winery (marani). Familiar with European ways, Chavchavadze built Georgia’s oldest and largest winery where he combined European and centuries-long Georgian winemaking traditions. The highly regarded dry white Tsinandali is still produced there. Despite his loyal service to the Russian crown, Chavchavadze’s nostalgia for Georgia’s lost independence, monarchy, and the autocephalous church once again pushed him into rebellion, joining the 1832 conspiracy aimed at organizing a large-scale uprising against the Russian hegemony. The failed coup plot turned a disaster for the Georgian literature: most of his poetry written between 1820 and 1832, inspired by the pathetic Romanticism and egalitarianism, was burned by the author as possible evidence against him. He was sentenced to the five-year exile to Tambov, but the tsar, who needed his talents amid the ongoing Caucasian War, forgave him, however.

Chavchavadze eagerly joined the expedition against the rebellious mountaineers of North Caucasus. Like his many fellow Georgian nobles, he found a good opportunity to take revenge for the permanent marauds organized by the mountaineers of North Caucasus on the Georgian marches in the past. He was promoted lieutenant general in 1841, and continued his service in the Caucasus, briefly as head of the civil administration of the region from 1842 to 1843. In 1843, he fought his last war, commanding a successful punitive expedition against the rebellious Dagestani tribes.Later, he was appointed a member of the Council of the Chief Administration of Transcaucasus. In 1846, Alexander Chavchavadze fell a victim to an acciden, under somewhat mysterious circumstances: while going back to his palace in Tsinandali at night, somebody from the near woods approached and splashed hot water while he was galloping on his horse. He lost the control of the horse and crashed into the ditch near by. He died from severe head injuries on the spot. Although the tragedy was most likely an accident, it has been rumored that he was killed by Russian assassins. He was buried at the Shuamta Monastery in Kakheti, Georgia. Chavchavadze was survived by a son, David, who was also Lt Gen in the Russian service during the Caucasus Wars, and three daughters, Nino, Catherine, and Sophia. Chavchavadze’s influence over Georgian literature was immense. He moved the Georgian poetic language closer to the vernacular, combining the elements of the formal wealth and somewhat artificial antiquated "high" style inherited from the 18th-century Georgian Renaissance literature, melody of Persian lyrical poetry, particularly Hafiz and Saadi, bohemian language of the streets of Tiflis and the moods and themes of European Romanticism. The thematic of his works varied from purely anacreontic in his early period to deeply philosophic in his maturity. Chavchavadze’s contradictory career – his participation in the struggle against the Russian control of Georgia, on one hand, and the loyal service to the tsar, including the suppression of Georgian peasant revolts, on the other hand – found a noticeable reflection in his writings. The year 1832, when the Georgian plot collapsed, divides his work into two principal periods. Prior to that event, his poetry was mostly impregnated with laments for the former grandeur of Georgia, the loss of national independence and his personal grievances connected with it; his native country under the Russian empire seemed to him a prison, and he pictured its present state in extremely gloomy colors. The tragic death of his beloved friend and son-in-law, Griboyedov, also contributed to the depressive character of his writings of that time. In his Romantic poems, Chavchavadze dreamed of Georgia's glorious past, when "the breeze of life past" would "breathe sweetness" into his "dry soul." In poems Woe, time, time, Listen, listener, and Caucasia , the "Golden Age" of medieval Georgia was contrasted with its unremarkable present. As a social activist, however, he remained mostly a "cultural nationalist," defender of the native language, and an advocate of the interest of Georgian aristocratic and intellectual elites. In his letters, Alexander heavily criticized Russian treatment of Georgian national culture and even compared it with the pillaging by Ottomans and Persians who had invaded Georgia in the past. In one of the letters he states: The damage which Russia has inflicted on our nation is disastrous. Even Persians and Turks could not abolish our Monarchy and deprive us of our statehood. We have exchanged one serpent for another. After 1832, his perception of the national problems became different. The poet unambiguously pointed out those positive results which had been brought about by the Russian annexation, though the liberation of his native land remained to be his most cherished dream. Later his poetry became less romantic, even sentimental, but he never abandoned his optimistic steak that makes his writings so different from those of his predecessors. Some of the most original of his late poems are, Oh, my dream, why have you appealed to me again, and The Ploughman written in the 1840s. The former, a rather sad poem, surprisingly ends with hope for the future in contemplation of the poet. The latter combines Chavchavadze’s elegy for his past years of youth with calm humorous farewell to lost sex-life and potency. Chavchavadze also composed a historic work, "The Short sketches of the history of Georgia from 1801 to 1831."


O Love Divine!

O love! O mighty love! your power enslaves and holds the heart in thrall.
Even monarchs bend their knees to you, and on your shrine prostrating fall.
Exquisite pain, exquisite bliss and passions sweet the heart o'erflows,
So, can you blame the nightingale that pours love's essence o'er the rose?
O love! your fires inspire the souls of all created 'neath the sky;
Adored are you by great and small, by gallants, kings and gods on high;
Where'er you go a throne awaits you decked with tears and sweet delight;
You are the lord of hearts impassioned; all fall 'neath your conquering might.
Has ever slave thus bound to you, thus fettered down, for freedom pined
Though wild desires invade the heart and madness penetrates the mind?
Though passions make me nigh expire, let ecstasy of love be mine;
And let me live or die for you, your willing slave, O love divine!